Concise anthology of american literature pdf

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For courses in American Literature that use a concise American Literature Anthology.

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Message: For nearly three decades, students và instructors have sầu complemented their introductory American Literature studies with Anthology of American Literature, in both its two-volume và concise editions. Carefully selected works introduce readers to America"s literary heritage, from the colonial times of William Bradford and Anne Bradstreet to lớn the contemporary era of Saul Bellow và Toni Morrison. It provides a wealth of additional contextual information surrounding the readings as well as the authors themselves. An expanded chronological chart and interactive sầu time line help readers associate literary works with historical, political, technological, và cultural developments. Other coverage includes a continued emphasis on cultural plurality, including the contributions to lớn the American literary canon made by women & minority authors, & a reflection of the changing nature of the canon of American Literature.

 

 Story: This anthology, first published in 1974, has been successful based on five major principles: choosing selections primarily for their literary value, including as many complete works as possible, providing the very best available scholarly texts và annotating them fully, keeping headnotes và period introductions informative but short, and avoiding literary fads. While making these judgments, the editors recognized that anthologies must always adapt, meet the changing needs & interests of teachers and students.

 

The decisions were not based solely on the editors" tastes, & they never have sầu been. In preparing the first edition George McMichael gathered class syllabuses from over one hundred American literature teachers around the country, lớn see what was being taught. From that information he drew up a proposed table of contents & submitted it lớn the advisory editors và lớn the editor, who also discussed it with field representatives. That first TOC was dominated, as the results from the syllabuses suggested it should be, by authors whose works constitute the canon of American literature, Franklin, Jefferson, Emerson, Poe, Hawthorne, Melville, Thoreau, Whitman, Dickinson, và so on.

 

The same process has been followed in subsequent editions, with additional information gained from surveys sent largely, but not solely, to lớn those who use the anthology. So, the TOCs for the various editions have been a collective effort. They are not the hàng hóa of the editors" prejudices or those of any other single person.

 

That collective effort has produced an anthology that is not radical but centrist, as it was intended to be. 

 


What selections do you like to teach in your course?  Do you teach some works in their entirety?  Do you like to have a lot of choice in what literature to teach? NEW Authors new to the edition—Ambrose Bierce, Judy Budnitz, Charles Waddell Chesnutt, W.E.B. Du Bois, Hannah Webster Foster, Charlotte Perkins Gilman, Tina Howe, Zora Neale Hurston, Harriet Ann Jacobs, June Jordan, Jack London, Frank Norris,  Amy Tan, Jean Toomer, Alice Walker, and Tennessee Williams. NEW New selections from authors previously included in the Concise Anthology of American Literature.--Selections by Herman Melville, Emily Dickenson, Robert Frost, Theodore Dreiser, Willa Cather, Sherwood Anderson, E. E. Cummings, Hart Crane, Wallace Stevens, F. Scott Fitzgerald, Ernest Hemingway, Katherine Anne Porter, W. S. Merwin, and Flannery O'Connor.  Includes 27 works in their entirety-Edward Albee, The Zoo Story; Saul Bellow, The Silver Dish; Willa Cather, Paul’s Case; Stephen Crane, The Open Boat; T.S. Eliot, The Waste Land; Ralph Waldo Emerson,  Nature; The American Scholar; Self-Reliance; Ernest Hemingway, The Killers; William Faulkner, That Evening Sun; F. Scott Fitzgerald, Winter Dreams; Tina Howe, Painting Churches; Zora Neale Hurston, John Redding Goes to Sea; Henry James, Daisy Miller; David Mamet, House of Games; Herman Melville, Benito Cereno; Bartleby, the Scrivener; Flannery O'Connor, Good Country People; Eugene O’Neill, The Hairy Ape; Katherine Anne Porter, Maria Concepción; John Steinbechồng, Flight; Henry David Thoreau, Civil Disobedience; Mark Twain, Adventures of Huckleberry Finn; John Updike, Flight; Eudora Welty, Death of a Traveling Salesman; Walt Whitman, Song of Myself ; and Tennessee Williams, The Glass Menagerie. Inclusion of literature from diverse populations:  Native Americans, founding fathers, women, immigrants, and minorities. Offers variety for students and professors and reflects the changing nature of the canon of American Literature. Multiple selections by authors. Enables readers to compare and contrast different works. Pick a Penguin Program-Prentice Hall is proud to announce an agreement with Penguin Putnam that allows us to package--at substantial discounts--the most popular American Literature trade paperbacks with the McMichael Concise Anthology of American Literature.  Ask your Prentice Hall sales representative for details and for a listing of available American Literature titles. American Literature Database-Now instructors can customize course material with the khudothi-kingbay.com Custom Library of American Literature.  A database featuring more than 1,700 literary works, the khudothi-kingbay.com Custom Library of American Literature gives instructors the flexibility to choose the other selections they might want to use along with the McMichael anthology.  For details, visit www.customliterature.com or contact your Prentice Hall sales representative. Works in their entirety include:  Novels: 

Adventures of Huckleberry Finn, Mark Twain Dramas: The Hairy Ape, Eugene O’Neill The Zoo Story, Edward Albee Painting Churches, Tine Howe House of Games, David Mamet Long Poems: Song of Myself, Walt Whitman Long Nonfiction Works: Nature, Ralph Waldo Emerson What is most useful to you when teaching the American Literature course? Clear, concise, and informative introductions and headnotes. Link the works and authors of a period and provide readers with additional insights into each selection. Unfamiliar terms and allusions are explained with full footnotes and references Ensures student understanding of the literature. Updated chronological chart and timeline Offer students at-a-glance information about the lives of authors and their works as well as key historical, political, technological, and cultural contexts Author bibliographies that are selective and current. Allows students to find more readings by that author for further study or enjoyment. What type of supplemental materials do you use to enhance your course? Companion Website (www.prenhall.com/mcmichael) The expanded Companion Website at www.prenhall.com/mcmichael offers an interactive experience for students and instructors.  Webliên kết, interactive timelines, author profiles, essay questions, and general resources all make the McMichael website and excellent resource for in-class discussions and out-of-class research. Research Navigator Research Navigator™ is an ideal tool for instructors and students who need more resources for research.  Available free for qualified adopters, Research Navigator™ offers coverage of the research writing process with three databases of source material, including EBSCO's ContentSelect™, The New York Times Search-by-Subject Archive, and a Literature Link Library.  Take a tour on the Web at www.researchnavigator.com.  Instructor's Manual The instructor’s manual is arranged chronologically by author.  It is made up of questions and teaching suggestions.  Many are long and complex.  Others are short and simple.  Some are commonplaces in American literary criticism.  The contents of the manual are directed to instructors and offered as suggestions and question for use in lectures and discussions.  Instructors can recast them into writing assignments, study topics, examination questions, and other forms more appropriate to their needs.  Critical articles and books are occasionally cited in the manual.  ">
What selections bởi vì you lượt thích lớn teach in your course? Do you teach some works in their entirety? Do you lượt thích to lớn have a lot of choice in what literature to teach?

NEW Authors new lớn the edition—Ambrose Bierce, Judy Budnitz, Charles Waddell Chesnutt, W.E.B. Du Bois, Hannah Webster Foster, Charlotte Perkins Gilman, Timãng cầu Howe, Zora Neale Hurston, Harriet Ann Jacobs, June Jordan, Jachồng London, Frank Norris, Amy Tan, Jean Toomer, Alice Walker, and Tennessee Williams. NEW New selections from authors previously included in the Concise Anthology of American Literature.--Selections by Herman Melville, Emily Dickenson, Robert Frost, Theodore Dreiser, Willa Cather, Sherwood Anderson, E. E. Cummings, Hart Crane, Wallace Stevens, F. Scott Fitzgerald, Ernest Hemingway, Katherine Anne Porter, W. S. Merwin, and Flannery O"Connor.  Includes 27 works in their entirety-Edward Albee, The Zoo Story; Saul Bellow, The Silver Dish; Willa Cather, Paul’s Case; Stephen Crane, The mở cửa Boat; T.S. Eliot, The Waste Land; Ralph Walvì chưng Emerson, Nature; The American Scholar; Self-Reliance; Ernest Hemingway, The Killers; William Faulkner, That Evening Sun; F. Scott Fitzgerald, Winter Dreams; Timãng cầu Howe, Painting Churches; Zora Neale Hurston, John Redding Goes khổng lồ Sea; Henry James, Daisy Miller; David Mamet, House of Games; Herman Melville, Benikhổng lồ Cereno; Bartleby, the Scrivener; Flannery O"Connor, Good Country People; Eugene O’Neill, The Hairy Ape; Katherine Anne Porter, Maria Concepción; John Steinbeông chồng, Flight; Henry David Thoreau, Civil Disobedience; Mark Twain, Adventures of Huckleberry Finn; John Updike, Flight; Eudora Welty, Death of a Traveling Salesman; Walt Whitman, Song of Myself ; và Tennessee Williams, The Glass Menagerie. Inclusion of literature from diverse populations: Native Americans, founding fathers, women, immigrants, & minorities.

Xem thêm: Literature And The Writing Process 10Th Edition ), Literature And The Writing Process (9Th Edition)

Offers variety for students và professors & reflects the changing nature of the canon of American Literature. Multiple selections by authors. Enables readers to lớn compare & contrast different works. Piông xã a Penguin Program-Prentice Hall is proud lớn announce an agreement with Penguin Putphái nam that allows us lớn package--at substantial discounts--the most popular American Literature trade paperbacks with the McMichael Concise Anthology of American Literature. Ask your Prentice Hall sales representative sầu for details và for a listing of available American Literature titles. Works in their entirety include:  Novels:

Adventures of Huckleberry Finn, Mark Twain

Dramas:

The Hairy Ape, Eugene O’Neill

The Zoo Story, Edward Albee

Painting Churches, Tine Howe

House of Games, David Mamet

Long Poems: Song of Myself, Walt Whitman

Long Nonfiction Works: Nature, Ralph Walvày Emerson

What is most useful lớn you when teaching the American Literature course?

Clear, concise, & informative introductions & headnotes. Link the works and authors of a period & provide readers with additional insights inlớn each selection. Unfamiliar terms & allusions are explained with full footnotes & references Ensures student understanding of the literature. Updated chronological chart & timeline Offer students at-a-glance information about the lives of authors và their works as well as key historical, political, technological, và cultural contexts tác giả bibliographies that are selective sầu & current.

Xem thêm: List Of Books By Author Holt Mcdougal, Holt Mcdougal

Allows students to lớn find more readings by that author for further study or enjoyment.

What type of supplemental materials vì chưng you use khổng lồ enhance your course?

Companion Website (www.prenhall.com/mcmichael) Research Navigator Instructor"s Manual

The instructor’s manual is arranged chronologically by author. It is made up of questions and teaching suggestions. Many are long and complex. Others are short & simple. Some are commonplaces in American literary criticism. The contents of the manual are directed khổng lồ instructors and offered as suggestions and question for use in lectures and discussions. Instructors can recast them inlớn writing assignments, study topics, examination questions, & other forms more appropriate to their needs. Critical articles và books are occasionally cited in the manual.


NEW Authors new khổng lồ the edition–Ambrose Bierce, Judy Budnitz, Charles Waddell Chesnutt, W.E.B. Du Bois, Hannah Webster Foster, Charlotte Perkins Gilman, Tina Howe, Zora Neale Hurston, Harriet Ann Jacobs, June Jordan, Jaông chồng London, Frank Norris, Amy Tan, Jean Toomer, Alice Walker, and Tennessee Williams. NEW New selections from authors previously included in the Concise Anthology of American Literature.--Selections by Herman Melville, Emily Dickenson, Robert Frost, Theodore Dreiser, Willa Cather, Sherwood Anderson, E. E. Cummings, Hart Crane, Wallace Stevens, F. Scott Fitzgerald, Ernest Hemingway, Katherine Anne Porter, W. S. Merwin, and Flannery O"Connor. The introductions lớn each period have sầu been updated & revised.

Table of Contents

THE LITERATURE OF COLONIAL AMERICA. Christopher Columbus (1451—1506). Columbus's Letter Describing His First Voyage. FROM The Diario of Christopher Columbus's First Voyage khổng lồ America: Thursday 11 October 1492. Sunday 14 October 1492. Captain John Smith (1580—1631). FROM The General History of Virginia The Third Book. Powhatan's Discourse of Peace and War. Native American Voices I. Myths & Tales. How the World Began. How the World Was Made. The Beginning of Summer & Winter. The Gift of the Sacred Pipe. Thunder, Dizzying Liquid, và Cups That Do Not Grow. William Bradford (1590—1657). FROM Of Plymouth Plantation. FROM Bradford on the Rise of Protestantism FROM Chapter III, Of Their Settling in Holland, & Their Manner of Living... FROM Chapter IV, Showing the Reasons & Causes of Their Removal. FROM Chapter VII, Of Their Departure from Leyden... FROM Chapter IX, Of Their Voyage... FROM Chapter X, Showing How They Sought Out a Place of Habitation.. FROM Chapter XI . FROM Chapter XII . FROM Chapter XIV FROM Chapter XXVIII . FROM Chapter XXXVI . John Winthrop (1588—1649). FROM The Journal of John Winthrop. The Bay Psalm Book (1640). FROM The Bay Psalm Book. The New England Primer (c. 1683). FROM The New Engl& Primer. Anne Bradstreet (1612—1672). The Prologue. Contemplations. The Flesh & the Spirit. The tác giả khổng lồ Her Book. Before the Birth of One of Her Children. To My Dear & Loving Husbvà. A Letter lớn Her Husbvà Absent Upon Public Employment In Reference lớn Her Children, 23 June, 1659 In Memory of My Dear Grandchild Elizabeth Bradstreet On My Dear Grandchild Simon Bradstreet... from Another Sore Fit. Upon the Burning of our House, July 10, 1666 As Weary Pilgrlặng. FROM Meditations Divine and Moral. Edward Taylor (c. 1642—1729). Prologue. FROM Preparatory Meditations. The Reflexion. Meditation 6 (First Series). Meditation 8 (First Series). Meditation 38 (First Series). Meditation 39 (First Series). Meditation 150 (Second Series). FROM God's Determinations. The Preface. The Joy of Church Fellowship Rightly Attended. Upon a Spider Catching a Fly. Huswifery. The Ebb and Flow. A Fig for Thee Oh! Death. Samuel Sewall (1652—1730). FROM The Diary of Samuel Sewall. Mary Rowlandson (c 1637—1711). FROM A Narrative of the Captivity và Restoration of Mrs. Mary Rowlandson. William Byrd II (1674—1744). FROM The Secret Diary of William Byrd of Westover, 1709-1712. Jonathan Edwards (1703—1758). Sarah Pierrepont. Sinners in the Hands of an Angry God. FROM Images or Shadows of Divine Things. THE LITERATURE OF THE EIGHTEENTH CENTURY. Benjamin Franklin (1706—1790). FROM The Autobiography. Michel-Guillaume-Jean de Crévecoeur (1735—1813). FROM Letters from an American Farmer. Letter III (What Is an American?). Letter IX (Description of Charleston ...). Thomas Paine (1737—1809). FROM Comtháng Sense. FROM The American Crisis. Thomas Jefferson (1743—1826). The Declaration of Independence. FROM Notes on the State of Virginia. FROM Query V: Cascades. FROM Query VI: Productions Mineral, Vegetable và Animal. FROM Query XVII: Religion. FROM Query XVIII: Manners. FROM Query XIX: Manufactures. To James Madison. To John Adams. The Federacác mục (1787—1788). The Federacác mục No.10. The Federadanh mục No.51. Phillis Wheatley (1754?—1784). On Virtue. To the University of Cambridge, in New Englvà. On Being Brought from Africa to America. On Imagination. To S.M. A Young African Painter, On Seeing His Works. Recollection. To His Excellency General Washington. Philip Freneau (1752—1832). The nguồn of Fancy. The Hurricane. To Sir Toby. The Wild Honey Suckle. The Indian Burying Ground. On On the Universality & Other Attributes of the God of Nature. Hannah Webster Foster (1758-1840) FROM The Coquette, “Letters LXV-LXXIV ” William Bartram (1739-1823) FROM Travels through North and South Carolimãng cầu... Native American Voices II. FROM A Son of the Forest. FROM Crashing Thunder... FROM Story of the Indian. FROM Pawnee Hero Stories. Legend of the Snake Order…. When the Coyote Married the Maiden. The Creation of the Horse. Poems. Orations. THE AGE OF ROMANTICICSM WashingtonIrving (1783—1859). FROM A History of Thủ đô New York, by Diedrich Knickerbocker. FROM The Sketch-Book of Geoffrey Crayon, Gent. The Author's Account of Himself. Rip Van Winkle. The Legend of Sleepy Hollow. James Fenimore Cooper (1789—1851). Preface to the Leather-Stocking Tales. FROM The Deerslayer. FROM The Pioneers. William Cullen Bryant (1794—1878). Thanatopsis. To a Waterfowl. To Cole, the Painter, Departing for Europe. To the Fringed Gentian. The Prairies. Abramê man Lincoln. Edgar Allan Poe (1809—1849). Sonnet–To Science. To Helen. The City in the Sea. Sonnet–Silence. Lenore. The Raven. Annabel Lee Ligeia. The Fall of the House of Usher. The Purloined Letter. FROM “Twice-Told Tales, by Nathaniel Hawthorne” . The Philosophy of Composition. Ralph Walbởi Emerson (1803—1882). Nature. The American Scholar. Self-Reliance. The Rhodora. Each và All. Concord Hymn. The Problem. Ode. Hamatreya. Give All khổng lồ Love. Days. Brahma. Nathaniel Hawthorne (1804—1864). Young Goodman Brown. The Minister's Blaông chồng Veil. The Birth-Mark. Herman Melville (1819—1891). Bartleby, the Scrivener. Benikhổng lồ Cereno. The Paradise of Bachelors & the Tartarus of Maids. The Portent. Shiloh. Malvern Hill. The College Colonel. The Æolian Harp. The Tuft of Kelp. The Maldive sầu Shark. The Berg. Art. Greek Architecture. Henry David Thoreau (1817—1862). Civil Disobedience. FROM Walden. Henry Wadsworth Longfellow (1807—1882). A Psalm of Life. The Arsenal at Springfield. The Jewish Cemetery at Newport. My Lost Youth. Aftermath. The Tide Rises, the Tide Falls. James Russell Lowell (1819—1891). To the Dandelion. FROM The Biglow Papers, First Series. FROM A Fable for Critics. Harriet Beecher Stowe (1811—1896). FROM Uncle Tom's Cabin. Frederick Douglass (1817?—1895). FROM The Life & Times of Frederiông chồng Douglass. Harriet Ann Jacobs (1813—1897). FROM Incidents in the Life of a Slave sầu Girl. Abraham Lincoln (1809—1865). To Horace Greeley. Gettysburg Address. Second Inaugural Address. Walt Whitman (1819—1892). Preface to lớn the 1855 Edition of Leaves of Grass. FROM Inscriptions. One's-Self I Sing. When I read the book. Song of Myself. FROM Children of Adam. Out of the rolling ocean the crowd. Once I pass'd through a populous city. Facing west from California's shores. FROM Calamus. In I saw in Louisiamãng cầu a live-oak growing. I hear it was charged against me. Crossing Brooklyn Ferry. FROM Sea-Drift. Out of the cradle endlessly rocking. FROM By the Roadside. When I heard the learn'd astronomer. The Dalliance of the Eagles. FROM Drum-Taps. Beat! Beat! Drums! Cavalry Crossing a Ford. Bivouac on a Mountain Side. Vigil strange I kept on the field one night. A march in the ranks hard-prest, và the road unknown. A sight in camp in the daybreak gray & dyên ổn. The Wound-Dresser. FROM Memories of President Lincoln. When lilacs last in the dooryard bloom'd. FROM Autumn Rivulets. There was a child went forth. Passage to lớn India. The Sleepers. FROM Whispers of Heavenly Death. A noiseless patient spider. FROM Noon to Starry Night. To a Locomotive sầu in Winter. FROM Goody-Bye My Fancy. L. of G.'s Purport. Emily Dickinson (1830—1886). I never lost as much but twice. Success is counted sweethử nghiệm. For each ecstatic instant. These are the days when Birds come baông chồng. A Wounded Deer–leaps highest. “Faith” is a fine invention. The thought beneath so slight a film. I taste a liquor never brewed. Safe in their Alabaster Chambers. I like a look of Agony. Wild Nights–Wild Nights! There's a certain Slant of light. I felt a Funeral, in my Brain. I reason, Earth is short The Soul selects her own Society. A Bird came down the Walk. I know that He exists. What Soft–Cherubic Creatures. Much Madness is divinest Sense. This is my letter to lớn the World. I died for Beauty –but was scarce. I heard a Fly buzz–when I died. It was not Death, for I stood up. The Heart asks Pleasure First I like to lớn see it lap the Miles. I cannot live sầu with You. Pain–has an Element of Blank. One need not be a Chamber – khổng lồ be Haunted. Essential Oils-are wrung Because I could not stop for Death. Presentiment – is that long Shadow– on the Lawn. Death is a Dialogue between. A narrow Fellow in the Grass. I never saw a Moor. The Bustle in a House. Tell He preached upon “Breadth” till it argued hlặng narrow. A Route of Evanescence. Apparently with no surprise. My life closed twice before its cthua kém. To make a prairie it takes a clover and one bee. THE AGE OF REALISM. Mark Twain (Samuael L. Clemens) (1835—1910). The Dandy Frightening the Squatter. The Notorious Jumping Frog of Calaveras County. Whittier Birthday Dinner Speech. Adventures of Huckleberry Finn. Mary E. Wilkins Freeman (1852—1930). A New Engl& Nun. Bret Harte. Tennessee's Partner. Charles Waddell Chesnutt (1858—1932). The Goophered Grapevine. William Dean Howells (1837—1920). Editha Henry James (1843—1916). Daisy Miller: A Study. The Real Thing. Ambrose Bierce (1842—1914). An Occurrence at Owl Creek Bridge. Charlotte Perkins Gilman (1860—1935). The Yellow Wall-Paper. Kate Chopin (1851—1904). Neg Creol. Stephen Crane (1871—1900). Blachồng riders came from the sea. In the desert. A God in wrath. I saw a man pursuing the horizon. “Do not weep, maiden, for war is kind. A man said lớn the universe. A man adrift on a sllặng spar. The Open Boat. Frank Norris (1870—1902). A Deal in Wheat. Jachồng London (1876—1916). The Law of Life. Edith Wharton (1862—1937). The Other Two. Theodore Dreiser (1871—1945). The Lost Phoebe THE MODERNIST ERA (1900-1945) W.E.B. Du Bois (1868—1963). FROM The Souls of Blaông xã Folk. Edwin Arlington Robinson (1869—1935). Richard Cory. Cliff Klingenhagen. Miniver Cheevy. How Annandale Went Out. Eros Turannos. Mr. Flood's Party. Robert Frost (1874—1963). The Tuft of Flowers Mending Wall. Home Burial. The Black Cottage. After Apple-Picking. The Wood-Pile The Road Not Taken. An Old Man's Winter Night. Birches. The Oven Bird. For Once, Then, Something. Fire and Ice. Design. Stopping by Woods on a Snowy Evening. Willa Cather (1873—1947). Paul’s Case Gertrude Stein (1874—1946). FROM Three Lives. The Gentle Lena. Susie Asavị. Picasso. Sherwood Anderson (1876—1941). I Want to lớn Know Why John Dos Passos (1896—1970). FROM U.S.A. Preface. FROM The 42nd Parallel. Proteus. FROM 1919. Newsreel The XLIII.”, The Body of an American. FROM The Big Money. Newsreel LXVI. The Camera Eye (50). Newsreel LXVIII” Vag. Euren O'Neill (1888—1953). The Hairy Ape. Ezra Pound (1885—1972). Portrait d'une Femme. Salutation. A Pact. In a Station of the Metro. The River-Merchant's Wife: A Letter. FROM Hugh Selwyn Mauberley. I E. Phường. Ode pour I'Election de son Sepulchre. II The age demanded an image. III The tea-rose tea-grown, etc.. IV These fought in any case. V There died a myriad. FROM The Cantos. I And then went down to lớn the ship. II Hang it all, Robert Browning. XLV With Usura. LXXXI What thou lovest well remains. T. S. Eliot (1888—1965). The Love sầu Song of J. Alfred Prufrochồng. Preludes. Gerontion. The Waste L&. Notes on `The Waste Land'. Journey of the Magi. E. E. Cummings (1894—1962). Hart Crane (1899—1932). Blachồng Tambourine Chaplinesque. At Melville's Tomb. Voyages. FROM The Bridge. To Brooklyn Bridge. Powhatan's Daughter. The Harbor Dawn. Van Winkle. The River. The Tunnel. Atlantis. Wallace Stevens (1879—1955). Peter Quince at the Clavier. Disillusionment of Ten O'Cloông xã. Sunday Morning. Bantams in Pine-woods Anecdote of the Jar. To the One of Fictive Music. A High-Toned Old Christian Woman. The Emperor of Ice-Cream. Of Modern Poetry. No Possum, No Sop, No Taters. Final Soliloquy of the Interior Paramour. The Plain Sense of Things. William Carlos Williams (1883—1963). Con Brio. The Young Housewife. Pastoral. Tract. Danse Russe. Queen-Ann's-Lace. Spring & All. To Elsie. The Red Wheelbarrow. At the Ball Game. Between Walls. This Is Just lớn Say. The Yachts. These. Seafarer. Landscape with the Fall of Icarus.” Marianne Moore (1887—1972). To a Steam Roller. The Fish. Poetry. No Swan So Fine. The Student. The Pangolin. The Mind Is an Enchanting Thing. In Distrust of Merits. Countée Cullen (1903—1946). Yet Do I Marvel. For a Lady I Know. Incident. From the Dark Tower. A Brown Girl Dead. Heritage. Jean Toomer (1894—1967). Blood-Burning Moon. Zora Neale Hurston (1891—1960). John Redding Goes khổng lồ Sea Thomas Wolfe (1900—1938). Only the Dead Know Brooklyn. Scott Fitzgerald (1896—1940). Winter Dreams. Ernest Hemingway (1899—1961). The Killers William Faulkner (1897—1962). The Evening Sun Langston Hughes (1902—1967). The Negro Speaks of Rivers. The Weary Blues. Young Gal's Blues. I, Too. lưu ý on Commercial Theatre. Dream Boogie. Harlem. Theme for English B. On the Road. John Steinbeông chồng (1902—1968). Flight Katherine Anne Porter (1890—1980). Maria Concepcion POSTMODERN ERA (1945 TO PRESENT). Eudora Welty (1909—). Death of a Traveling Salesman. Richard Wright (1908—1960). FROM Eight Men. The Man Who Was Almost a Man. Ralph Ellison (1914—1994). FROM Invisible Man. “Chapter I.” Tennessee Williams (1911—1983). The Glass Menagerie. Theodore Roethke (1908—1963). Open House. Cuttings. Cuttings (Later). Root Cellar. My Papa's Waltz. I Knew a Woman. In a Dark Time. Elizabeth Bishop (1911—1979). A Miracle for Breakfast. Over 2,000 Illustrations và a Complete Concordance. Visits to St. Elizabeths. Sestimãng cầu. Brazil, January 1, 1502. In the Waiting Room. Robert Lowell (1917—1977). The Quaker Graveyard in Nantucket. Mr. Edwards and the Spider. Memories of West Street and Lepke. Skunk Hour. For the Union Dead. Waking Early Sunday Morning. Will Not Come Baông chồng. Allen Ginsberg (1926—1997). Howl. A Supermarket in California. America. To Aunt Rose. Mugging Anne Sexton (1928—1974). The Farmer's Wife. Ringing the Bells. All My Pretty Ones. And One for My Dame. The Addict. Us. Rowing. Sylvia Plath (1932—1963). All the Dead Dears. Two Views of a Cadaver Room. The Bee Meeting. Lady Lazarus. Ariel. The Applicant. Daddy. Fever 103° James Dickey (1923—1997). The Lifeguard. Reincarnation (I). In the Mountain Tent. Cherrylog Road. The Shark's Parlor. W. S. Merwin (1927—). Grandfather in the Old Men's trang chủ. The Drunk in the Furnace. Separation Noah's Raven. The Dry Stone Mason. Fly. Strawberries. Direction. Thanks. The Morning Train. Before the Flood Remembering Signs Youth of Animals To the Consolations of Philosophy Louise Glüông chồng (1943—). Hesitate lớn Điện thoại tư vấn. The Chicago Train. The Edge. My Neighbor in the Mirror. Thanksgiving. Mock Orange. The Reproach. Celestial Music. Vespers. Field Flowers. James Baldwin (1924—1987). Sonny's Blues. Flannery O'Connor (1925—1964). Good Country People. John Updike (1932—). Flight. Bernard Malamud (1914—1986). The Magic Barrel. Amiri Baraka (LeRoi Jones) (1934—). In Memory of Radio. The Bridge. Notes for a Speech. An Agony, As Now. A Poem for Democrats. A Poem for Speculative sầu Hipsters. A Poem Some People Will Have to Understvà. Poem for Half-White College Students. Biography. Sonia Sanchez (1934—). the final solution/ To blk/record/buyers. FROM right on: wite america 3. young/black/girl. womanhood. Masks. Just Don't Never Give sầu Up on Love. June Jordan (1936—2002) FROM Things That I Do in the Dark. All the World Moved. In Memoriam: Martin Luther King, Jr. Meta-Rhetoric. FROM Naming Our Own Destiny. Poem about My Rights. Rita Dove (1952—). Adolescence - I. Adolescence - II. Adolescence - III. Banneker. Jiving. The Zeppelin Factory. Under the Viaduct, 1932. Roast Possum. Weathering Out. Daystar. Edward Albee (1928—). The Zoo Story. Saul Bellow (1915—). A Silver Dish. Kurt Vonnegut (1922—). Welcome khổng lồ the Monkey House. Joyce Carol Oates (1938—). The Knife Alice Walker (1944—). Everyday Use. Amy Tan (1952—). FROM The Joy Luông xã Club. Half và Half. Donald Barthelme (1931—1989). The School. Bobbie Ann Mason (1940—). Shiloh. Gloria Naylor (1950—). FROM The Women of Brewster Place. Lucielia Louise Turner. Leslie Marmon Silko (1948—). The Man to Send Rain Clouds Coyote Holds a Full House in His Hvà. Raymond Carver (1938—1988). Cathedral. Don DeLillo (1936—). FROM White Noise. Sandra Cisneros (1954—). FROM Woman Hollering Creek. Mericans. Louise Erdrich (1954—). FROM Love sầu Medicine. The Red Convertible (1974). Timãng cầu Howe (1937—). Painting Churches. Toni Morrison (1931—). FROM Sula 1922. David Mamet (1947-) House of Games Judy Budnitz (1973-) Where We come from REFERENCE WORKS, BIBLIOGRAPHIES CRITICISM, LITERARY AND CULTURAL HISTORY ACKNOWLEDGEMENTS INDEX TO AUTHORS, TITLES AND FIRST LINES


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